Songs East and West, a Harmonic Divergence by BERNARD HOLLAND
From The New York TimesFrom
Chen Yi’s “From the Path of Beauty” and Ligeti’s “Idegen Foldon” use
similar thinking to arrive at different places. Ms. Chen’s piece is a
seven-part song cycle for mixed chorus and four strings. It was
commissioned by the all-male singing ensemble Chanticleer and the
Shanghai Quartet, who performed it at the Metropolitan Museum of
Art’s Temple of Dendur on Wednesday night.
The Ligeti songs were constrained by the cultural populism of
Communist Hungary at the end of World War II. Like “From the Path of
Beauty,” they invent a folk music that may sound Hungarian or Chinese
but is really made up. Ms. Chen is relentlessly theatrical,
alternating between misty vocal lines and violently busy string-
writing. Her singing parts can be quiet vocalises supporting the
strings, or else shouts, sound effects and a nonverbal cross between
scat singing and the Swingle Singers.
Ms. Chen wants her listeners to think of Chinese calligraphy and
opera, but there are also visits to a simpler, popular modal melody.
Her hard work showed up in the virtuoso demands made on everybody.
Chanticleer’s 13 singers were admirable.
The huge, echoing hall served “From the Path of Beauty” well.
Sheer
sound color is a major ingredient here. Plucked strings resounded
like cannon shots, and if the audience heard some of this music once
and then once again on the immediate rebound, the more the better.
Ligeti’s part songs, which included “Papaine” and “Magany,” were
quieter but infinitely more potent, with a magical spilling-over of
crossing voices, at once harmonious and ambiguously at odds. Their
beauty sticks in the mind.
The rest was Ravel: a choral transcription of “Soupir” from
the “Trois Poèmes de Stéphane Mallarmé” and the ever lovely String
Quartet in F. “Soupir” was interesting for its whistling
accompaniments. The Shanghai players are very good but pushed Ravel
hard. The Quartet, I confess, was a teenage obsession of mine; just
having it around made me happy. I could argue about the Shanghai’s
fast tempos but prefer not to.
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